27 Aug Best Microphone for vocals in 2020
A good voice mic is always one of the top priorities in every studio. Investing in a decent voice microphone offers you fantastic raw mixing tracks, which, as a result, allows your overall mix easier. Singers feel more confident when they sound good while performing. it doesn’t matter whether you’re just starting out and want a great vocal mic as the centerpiece of your project studio or want a great piece of equipment to add to your mic cabinet, we’ve got you covered with our selections for the best vocals studio mic,
The recommended list below focuses on the top-rated condenser and dynamic mics currently used in home recording and professional studios. Note that while vocal recording is the main consideration, many of the microphones we feature below also work really well with the instruments, making them a good addition to any studio setup.
Best Microphone for vocals in 2020 detailed review
If you are serious about buying the best Microphone for vocals? pick the right choice from our list of top 6 Microphones below.
#1 Audio Technica AT2035
Don’t be misled by the AT2035 expenditure pricing.
It’s a large-diaphragm condenser microphone with premium features. Apart from its metal exterior, it comes bundled with a custom shock mount. It’s very popular with project studios, voice-over work, and live streaming.
Adding to vocal recording, this mic can also work with other sound sources, thanks to its 148dB maximum average SPL,-10dB pad, and its low-frequency switchable roll-off.
- The AT2035 Audio-Technica continues to receive positive reviews, many of which describe it as a valuable microphone.
- Commonly reported is the clarity and detail this mic captures, with some even comparing it to more expensive studio mics.
- The overall strong feel of the mic and the metal shell has got a lot of notice from the pleased reviewers. And while most of them use this mic to record their voice, many have reported satisfaction when using a mic with a variety of instruments, like guitar, violin, or electric keyboard.
- There are a few Complains that point to its accessories, that the package did not come with an XLR cable, while others found that the pop filter’s quality was unsatisfactory.
Why we suggest :
If you are in a tight budget and you’re looking for a quality microphone that can handle vocal recording well and is versatile enough to work with acoustic instruments, then get the Audio-Technica AT2035.
#2 AKG P220:
P220 is known for it versatility
With a stunning 155 max SPL, it can handle loud sound sources where other condenser mics would be distorted. To complement this, there is a built-in pad switch and a low-frequency roll-off switch to cater for different sound sources. It has the ability to handle high-pressure sound sources while being sensitive enough for the most subtle vocals.
- Many reviewers commend the versatility of the AKG P220 is its best feature, which is quite special considering the price tag.
- It’s still a favorite budget-friendly, all-around mic.
- Build quality and quality of the included case also received a lot of thumbs in user reviews.
- A few noted that the highs were somewhat lacking and had to compensate for the equalization to get the sound they wanted.
Why we suggest :
its versatility and price point, totally depict the AKG P220 is an excellent addition to any project studio. It’s also a nice high-SPL mic to have in the arsenal of a larger space.
#3 AKG P420
It has a switchable polar pattern that lets you switch between Cardioid, Omni and Figure-8 with a dual-element design.
This feature allows for the flexibility of positioning and allows multiple sound sources, i.e., small bands or groups of singers, to be recorded live. This microphone comes with a sturdy metal enclosure for added long-term durability.
The feedback we’ve received has also shown this mic to be popular with home studios and podcasters.
- this mic is totally value for money and versatility are its main points of sale.
- From the home recording of a solo vocalist, to live recording of a vocal group, to capturing acoustic instruments, the mic is praised for being able to handle almost any sound source.
- The sound quality and robust construction of the mic also received a number of positive notes.
- Many experienced users were impressed enough to use one mic every day for quick captures.
- Some users said the-20dB pad was a bit too much, hoping for a-10dB option.
- Other issues that have been raised include concerns about its sensitivity and internal noise, which may be a bit too high for trained ears, but still on par with other mics in this price range.
Why we suggest :
If you are looking for your first multi-pattern condenser mic in your home studio, or are looking for a substitute ? for “beater” mic that you can use on a regular basis instead of your more expensive mic, then AKG P420 is highly recommended.
#4 Rode NT2-A
NT2-A is Rode’s device, a business well established in the recording world for its excellent sound quality.
It has a broad form of HF1 dual 1 “capsule condenser microphone that replicates classic studio mics’ tone.
It has a wide range of built-in features, including switchable pick-up patterns, high-pass filters, and so many other controllers.
proved that make the NT2-A very versatile, work well with most vocal styles and instruments, and even make multiple sound sources live at the same time.
Finally, it comes bundled with essentials such as a cable, a shock absorber, and a dust cover.
- Usually, users have good things to say about this mic, describing it as much more fuller than their other vocal mics.
- you can compare it to other, more expensive, vintage mics.
- Apart from the sound quality, the built-in filters and the polar pattern switch have earned the spot of favorites.
- it is a large capsule mic, this can be a bit bulky and heavy compared to others, so exercise caution and use a microphone stand that can support the weight.
- it includes extras there are a few who are not too pleased with the quality of the pop filter as well.
Why we suggest:
With great classic warmth, the Rode NT2-A is a favorite of engineers and singers alike. Just make sure that your mic is able to support its weight. Do you need a good mic to stand for the NT2-A? Check out our Best Mic Stands guide.
#5 Electro-Voice RE50:
The Electro-Voice RE-50 is a large dynamic mic diaphragm that features the “Variable-D” technology, which stops it from over-emphasizing the lows when used up-closely-in other words, counteracts the proximity effect.
This feature allows for clear vocal recordings that have given rise to popularity among professional voice-over and broadcast circles. The attenuation of the proximity effect allows singers to get close to the mic for intimate vocals without overloading the low frequencies.
Interestingly, it’s also good enough for rock-style vocals, as it’s the Radiohead vocalist Thom Yorke’s favorite mic.
There is also a bass tilt down switch that further helps with bass attenuation, making RE-50 viable for miking louder sources like kick drum as well as with guitars and violin
- The Electro-Voice RE20 is known as by the industry-standard broadcast mic, citing its high balance of reliability and sound quality known as its best features.
- Many singers/vocalists commended the mic for working well in both live and studio recording settings.
- Beautiful sound, magic, and astounding are just a few of the many positive descriptions that are still being poured out.
- High Price remains a barrier to entry and a deterrent for fear of maintenance problems.
- A few users also complained about the lack of bass, but this is expected because this mic is known to deal with the extra bass that regular mics capture.
Why we suggest:
No one performs better than the RE-50 for intimate sounding vocals. Particularly with 2020 seeing a trend in whispery vocal styles similar to Billie Eilish, the RE-20’s ability to capture close sound sources allows for great sound recording.
#6 SHURE KSM44A:
Sitting at the ceiling of the price range of this guide, It is a premium quality mic. it has a lot of features that make it viable for almost any recording situation. It is used by many recording engineers, including Joe Barresi, who put the mic to good use on Queens of Stone Age’s fourth album.
The large-diaphragm design of the side-address makes it ideal for vocals. The internal pop filter, the transformerless output, and the Prethos Advanced Preamplifier Technology ensure transparent and quiet operation.
there are Other features that have been implemented to make the microphone more versatile, including the dual-diaphragm 3-polar pattern design, the switchable attenuation pad, and the selectable high-pass filter.
- Most of the reviews received by Shure KSM44A are from experienced engineers, and they simply say that this mic is well worth the price.
- Many consider it to be the flattest, cleanest, and most neutral mic many claims that this the best mic at this price range in their collection.
- It includes mics that are priced above a grand. Its super quiet operation and the tank’s tough reliability were also appreciated, along with its ease of use.
- If you can’t make great music with the KSM44A, you’re doing it wrong. Check out some youtube channels before you start using.
- Interestingly, some users have said that the mic’s neutral sound.
- it tends to be unforgiving, especially for new singers, and those who mentioned that some positioning adjustments were needed to flatten the sound’s subtle brightness.
Why we suggest :
The Shure KSM44A is a genuine “end-game” microphone. You know that you have hit new heights as you come to understand the depth and outstanding output that mics like the KSM44A add to your mic set. Although not the sort of mic that filters the sound and makes it able to blend, the raw tracks directly taken from the mic rewards vintage-style signal chains with a beautiful look that fits beautifully on top of the video.
Hope this article will help you to choose best microphone for vocals. It makes your life easier to choose one of the best according to your budget.
Byer guide vocals recording microphone:
Condenser mics are often the standard hardware for recording audio but don’t always write off dynamic mics, and the professionals want to use them for other situations. Although the distinctions can be blurred from time to time, the general concept is that condenser mics absorb more sound clarity at the cost of less sound pressure processing, whereas dynamic mics can accommodate larger sources and provide more volume. it is the safest and most versatile. it would be the condenser, but if you’re recording loud sound sources or full band performance, getting a dynamic one is the best choice. Note that condenser mics usually require phantom power or their own power supply to work, while dynamic mics do not require any kind of preamp mic or power supply. If the budget requires, it is advised to receive one of the
Polar patterns explain how the mic catches the sound, to be more precise, the origin and orientation of the sound relative to the position of the mic. Cardioid, with its front acquisition and rear removal, is the most widely used voice recording. Certain patterns such as Figure 8 and Omnidirectional allow more ambient sound to be recorded, and can also be used to record a singing group or several sound sources.
This definition shows how intensely a mic responds to certain frequencies, usually seen in the form of a map displaying the particular frequencies that are highlighted and de-emphasized. Ideally, the resulting sound would be as bland and smooth as possible, although there are others that favor slight coloration, such as extra warmth and low-end. Singers with a medium pitched voice would prefer anyone with a high frequency below 200Hz, as they will better mimic the sound of their speech. On the other hand, if your voice appears to be naturally high pitched, you’ll like the one that can tame any of the highs. The more acquainted you are with the voice you capture, the more valuable the frequency charts can be for you, and that’s why professional studios have multiple microphones to fit different styles of sound. A strict rule of thumb is, to begin with, a flat EQ and make changes when necessary before mics are swapped.
Pop filters are basically “wind windows” that block the unwanted passage of air while enabling the sound to flow through. Sudden air motions from heavy “p” pronunciations (AKA plosives) can cause unnecessary volume changes, or worse, signal clipping, which is unwelcome in recording environments. Most mics come with packaged pop filters-but some have voiced doubt about the efficiency of some of these free filters. Less costly condenser mics have pop-filters installed into the hardware itself for easy pop and noise safety. The best microphone for vocals will have this pop filter.
Although the main emphasis of this guide is on capturing voices, many of the mics mentioned here do fit well with other instruments. Dynamic max SPL mics usually fit well with noisy instruments like drums and speakers, while condenser mics capture acoustic guitar and other acoustic instruments. The intention is to find other instruments that you can also record and have voice mics that can also work with them and get something out of the time you’re paying for.